Bing Liu’s extraordinary debut feature was originally conceived as a documentary about skaters around the country and ultimately became an unflinching exploration of family, trauma, and the filmmaker’s own life. There is daring as well as simplicity in Kieslowski's conceit, and it will continue to baffle as many as it intrigues; every time I see it, I confess to wondering if Kieslowski quite worked out or worked through all the implications of his story. It’s a bit hackneyed, but The Double Life of Veronique is a film of feeling more than cold, clinical camera movements, and looking at our emotional responses to it is maybe the best way we can render meaning. At such moments, the film’s precarious realism collapses, and a sense of the mystical or metaphorical imposes itself. Veronica seems poised to rise again, along with many other V names, and … Maybe because she has not had the international career of her Kieslowski contemporary Juliette Binoche, her face is not as familiar - so the reappearance of this fine performance has an added force and freshness. If you’re used to fast paced, plot-driven films this film will leave you with more questions than answers, but that’s part of its beauty and enduring attraction. In a sense, the film is like music: Something that is difficult to articulate meaning from, but is somehow uncommonly effective in swaying our emotions. T he first time I saw Krzysztof Kieślowski’s Double Life of Véronique— in a dark Boston University classroom almost 10 years ago—I dozed off for a few minutes. The Double Life of Véronique 1991 ★★★½ . It is this incompleteness, this sense of the provisional and arbitrary, that finally ensures the film’s sense of mystery and saves it from the sometimes oppressive weight of narrative authority that overburdens Three Colors. This moment might be seen as nineties cinephilia’s turn away from the poetic-art-cinema tradition exemplified by Kieślowski’s last films. The Double Life of Véronique 1991 ★★★★★ Watched Sep 02, 2020. Kieślowski defined the film’s subject matter to interviewer Danusia Stok thus: “The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film.” But he recognized the riskiness of the undertaking: this story, he commented elsewhere, “deals with things you can’t name. The sheer, heart-stopping beauty of Irène Jacob is what shines out, firstly, from this welcome revival of Krzysztof Kieslowski's great movie from 1991. I hope you find home here. Directed by Krzysztof Kieślowski • 1991 • France Starring Irène Jacob, Philippe Volter, Sandrine Dumas Krzysztof Kieślowski’s international breakthrough remains one of his most beloved films, a ravishing, mysterious rumination on identity, love, and human intuition. Review by Benjamin Reed. Yet overall, the golden filtering transcends any obvious motivation. They don't know each other, but their lives are nevertheless profoundly connected. The Double Life of Veronique (1991) Drama, Fantasy, Music, 98 minutes, French and Polish Language Directed by Krzysztof Kieslowski Starring Irene Jacob and Philippe Volter The Double Life of Veronique sparks all kinds of thoughts, makes me cry, and leaves me feeling like I entered another world. She unknowingly takes a photo of her Polish double Weronika (also Jacob). But I still loved this movie, at least for what it gesture towards. The Double Life of Véronique. There are rumors of a release in 2005, but for fans of movies like Amélie hungry for something with a little more depth, The Double Life of Véronique comes most highly recommended -- even if you have to … Kieślowski even considered preparing multiple versions of the film—one for every screen it played on. I think I like this movie, it is definitely quite well made. The Double Life of Véronique is remarkable for sustaining a delicate com­bination of simplicity and unfathomable complexity—or at least the impression of such complexity. The brief credit sequence shows a prefigurement of Weronika in the Kraków square, as if the moment were suspended outside time, captured in a distorting lens. Indeed, despite the reverence accorded Kieślowski toward the end of his career and since his death in 1996, his later work appears to have had surprisingly little direct influence—notwithstanding two unremarkable attempts by Tom Tykwer and Danis Tanovic to film parts of another planned Kieślowski-Piesiewicz trilogy, Heaven and Hell, respectively. It's Alexandre, after all, who draws Véronique's attention to the existence of her double (through a … The Double Life of Véronique is a French and Polish-language film directed by the great Polish director Krzysztof Kieslowski. As a documentarian since the mid-1960s, Kieślowski had exhaustively explored the concrete realities of Communist Poland, but in the early 1990s, he declared a total lack of interest in Polish politics. She also receives a number of mysterious packages, including a cassette of a sound collage. Véronique (Irène Jacob) is a French woman on vacation in Warsaw. They both are raised by loving parents, both of their mothers died young and they both have good relationships with their fathers. . Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Watched for Film Club. One version, for example, concentrated more on the subplot—vestigial in the finished film—in which Véronique agrees to play co-respondent in a friend’s divorce hearing. Ineffable sadness ... Irène Jacob plays both women. In the otherwise seemingly naturalistic No End (1985)—cowritten by Krzysztof Piesiewicz, collaborator on Kieślowski’s subsequent fictions, The Double Life of Véronique included—a woman receives visitations from her dead husband. Into this film with a nonsensical plot premise that was developed partly by German scientists who worked in.. With the right mindset, though to the horror of her Polish Double (... 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